Monday, April 20, 2009

minimalism

"At its essence, minimalism is about repetition." But an example of extreme minimalism in music would be a single tone, where there is no repetition, and in art a canvas of a single color, where there is no repetition either. Indeed repetition is precisely not minimalistic in that it is almost by nature superfluous, although precisely in nature it is not superfluous; in nature nothing is really superfluous. Repetition may serve as a means of bringing out a work's fundamental features, but that does not make it one of minimalism's fundamental features. Indeed, to the extent that a piece must employ abundant repetition to express its fundamental features, it is not necessarily any less complex than a piece that coats its fundamental features in a rich narrative. In this sense, Steve Reich's music is no more "minimalistic" than Mahler's; it only sounds that way. A better example of minimalism is the architecture of Frank Lloyd Wright, whose aesthetic quality is contained and revealed in the skeletal structure itself, i.e., the work's fundamental features. Perfect unity of aesthetics and structure is found only and everywhere in nature, which is full of patterns making up a thing's structure and also consisting of its beauty. It is not repetition that is the essence of minimalism but patterns, which is essential to any structure. The paintings of Agnes Martin, for example, are repetitive only if we start with a single rectangle, but seen as a whole they rather present a pattern. Interestingly, the beauty there is not in the pattern itself or its repetitiveness but in the tonal gradations the pattern reveals, or indeed create. I guess we humans, too, when seen as parts of human kind also simply make up a pattern whose beauty is in the gradations only the pattern itself reveals.

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